Critical Realist Activity Theory provides an exciting new contribution to the New Studies in Critical Realism and Education series by showing how the nature of learning is tantamount to the critical realist notion of the dialectic. The science of learning is too important to leave solely to the sciences; it needs philosophy as well. The task of this book is to take a further step and clear the conceptual field for an ontologically grounded view of the science of learning through critical realism, making use of dialectical critical realism and the philosophy of meta-Reality, as well as basic critical realism.
In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating and searching study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions: What do we mean when we say we 'know' a fictional character? What constitutes a 'telling' detail? When is a metaphor successful? Is realism realistic? Why do most endings of novels disappoint?
Modernist literature and art have been dominated by a disinterest in mere empirical and social reality and a discontent with habitualized perception and the world-view of convention, reason, and pragmatism. This anti-realistic attitude originated in the epistemological scepticism of the early 20th century which was even radicalized by the advent of the »linguistic turn«, constructivism, postmodernism, and poststructuralism. Yet it would be a gross simplification to describe the 20th century flatly and globally as an age of anti-realism.
In this diverse collection of sixteen essays, lectures, and interviews dating from 2010 to 2013, Graham Harman lucidly explains the principles of Speculative Realism, including his own object-oriented philosophy.
Dostoyevsky after Bakhtin: Readings in Dostoyevsky's Fantastic Realism
Recent developments in critical theory form the basis for this new study of Dostoyevsky which evaluates the radical contributions to Dostoyevsky criticism made by the critic and literary theorist M.M. Bakhtin. Malcolm Jones first redefines Dostoyevsky's much-debated "fantastic realism"; accepting Bakhtin's reading of Dostoyevsky in its essentials, he seeks out its weaknesses and develops it in new directions.
