Poststructuralism changes the way we understand the relations between human beings, their culture, and the world. While culture invests us with agency and choice, it also limits the possibilities on offer. But since the cultural script is not fixed, we can intervene to increase the range of options. This brief and lucid introduction explains how, with illustrations from literature, art, film, and popular culture.
Modernist literature and art have been dominated by a disinterest in mere empirical and social reality and a discontent with habitualized perception and the world-view of convention, reason, and pragmatism. This anti-realistic attitude originated in the epistemological scepticism of the early 20th century which was even radicalized by the advent of the »linguistic turn«, constructivism, postmodernism, and poststructuralism. Yet it would be a gross simplification to describe the 20th century flatly and globally as an age of anti-realism.
Volume 8 of The History of Literary Criticism (the second to be published) deals with the most hotly debated areas of literary theory, including Structuralism, Poststructuralism, Semiotics, and Hermeneutics. Also incorporating a reflective chapter by Richard Rorty on Deconstruction, and culminating in accounts of the reader-oriented criticism of critics such as Stanley Fish, this is the first book to engage systematically with the history of the twentieth century's most profound and extensive set of cross-cultural intellectual movements.
This book provides an historical and a conceptual background to post-structuralism, and in part to post-modernism, for readers entering the discussions on post-structuralism. It does not attempt to be at the cutting edge of these debates nor to be advancing research in these areas. It does however look at the educational implications of the ideas discussed.
