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Reading the Eighteenth-Century Novel
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Reading the Eighteenth-Century NovelThis book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity.
 
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A New Companion to Renaissance Drama
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A New Companion to Renaissance DramaA New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry.
 
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Jane Austen and the Victorian Heroine
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Jane Austen and the Victorian HeroineThis book uses the figure of the Victorian heroine as a lens through which to examine Jane Austen’s presence in Victorian critical and popular writings.  Aimed at Victorianist readers and scholars, the book focuses on the ways in which Austen was constructed in fiction, criticism, and biography over the course of the nineteenth century.  For the Victorians, Austen became a kind of cultural shorthand, representing a distant, yet not too-distant, historical past that the Victorians both drew on and defined themselves against with regard to such topics as gender, literature, and national identity. 
 
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Successful Scientific Writing: A Step-by-Step Guide for the Biological and Medical Sciences
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Successful Scientific Writing: A Step-by-Step Guide for the Biological and Medical SciencesThe detailed, practical, step-by-step advice in this user-friendly guide will help students and researchers to communicate their work more effectively through the written word. Covering all aspects of the writing process, this concise, accessible resource is critically acclaimed, well-structured, comprehensive, and entertaining. Self-help exercises and abundant examples from actual typescripts draw on the authors' extensive experience working both as researchers and with them.
 
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Poetry and Performance During the British Poetry Revival 1960-1980 : Event and Effect
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Poetry and Performance During the British Poetry Revival 1960-1980 : Event and EffectThis book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley’s first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram’s Pollock Record; and Allen Fisher’s Blood Bone Brain.

This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry.

 
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Companion to Comics
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Companion to ComicsThis cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field.
The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.
 
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Direct Speech in Beowulf and Other Old English Narrative Poems
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Direct Speech in Beowulf and Other Old English Narrative PoemsSome of the most celebrated passages of Old English poetry are speeches: Beowulf and Unferth's verbal contest, Hrothgar's words of advice, Satan's laments, Juliana's words of defiance, etc. Yet Direct Speech, as a stylistic device, has remained largely under-examined and under-theorized in studies of the corpus. As a consequence, many analyses are unduly influenced by anachronistic conceptions of Direct Speech, leading to problematic interpretations, not least concerning irony and implicit characterisation. This book uses linguistic theories to reassess the role of Direct Speech in Old English narrative poetry.
 
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