[hide]]Great writing begins—and ends—with the sentence.
Whether two words ("Jesus wept.") or 1,287 words (a sentence in William Faulkner's Absalom! Absalom!), sentences have the power to captivate, entertain, motivate, educate, and, most importantly, delight.
Understanding the variety of ways to construct sentences, from the smallest clause to the longest sentence, is important to enhancing your appreciation of great writing and potentially improving your own.

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The Devil's Company

In Edgar-winner Liss's enjoyable third thriller to feature the estimable Benjamin Weaver, an 18th-century London thieftaker (after A Spectacle of Corruption and A Conspiracy of Paper), Weaver finds himself working reluctantly for a mysterious gentleman, Jerome Cobb. On Cobb's orders, Weaver takes employment as a security man at the British East India Company's headquarters, where he tries to obtain information about the death of one Absalom Pepper, of whom virtually nothing is known. To keep Weaver in line, Cobb has blackmailed Weaver's friend Moses Franco, close confederate Elias Gordon and his beloved uncle Miguel.

An Introduction to William Faulkner

This introductory book provides students and readers of Faulkner with a clear overview of the life and work of one of America's most prolific writers of fiction. His nineteen novels, including The Sound and the Fury and Absalom, Absalom! are discussed in detail, as are his short stories and nonfiction. Focused on the works themselves, but also providing useful information about their critical reception, this introduction is an accessible guide to Faulkner's challenging and complex works.

 

Absalom, Absalom! has long been seen as one of William Faulkner's supreme creations, as well as one of the leading American novels of the twentieth century. In this collection Fred Hobson has brought together eight of the most stimulating essays on Absalom, essays written over a thirty-year span which approach the novel both formally and historically. Here are critical responses by Cleanth Brooks, John Irwin, Thadious Davis, and Eric Sundquist, as well as four essays published in the last decade.

Drawing on the insights offered by contemporary chaos theory, Narrative Form and Chaos Theory explores how models of turbulent dynamical systems in the physical world parallel structures in certain kinds of narratives. By closely looking at Laurence Sterne’s Tristram Shandy, Marcel Proust’s In Search of Lost Time, Virginia Woolf’s Mrs. Dalloway, and William Faulkner’s Absalom, Absalom!, Parker demonstrates how these insights can be applied to the analysis of narrative structure and meaning.