From the Reliance Building and Coney Island to the Kimbell Museum and Disney Hall, the United States has been at the forefront of modern architecture. American life has generated many of the quintessential images of modern life, both generic types and particular buildings. Gwendolyn Wright’s USA is an engaging account of this evolution from the late nineteenth century to the twenty-first. Upending conventional arguments about the origin of American modern architecture, Wright shows that it was not a mere offshoot of European modernism brought across the Atlantic Ocean by émigrés but rather an exciting, distinctive and mutable hybrid.
Terror and Irish Modernism: The Gothic Tradition from Burke to Beckett
Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century’s most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic.
This book is a guide to the many and varied terms used frequently within architecture. From Column to Cornice, Skyscraper to Ha-Ha, this book will prove an invaluable resource to anyone interested in architecture. Each term is explained and contextualised, giving the reader an enhanced understanding of architectural terminology. More than 270 common architecture terms are distilled and illustrated. From practical terms such as Vaulted, Spire and Cladding to conceptual terms such as Modernism and Postmodernism, including modern terminology and many of the traditional terms still in current usage.
Modernism ushered in some of the most exciting innovations in art and literature, from Fauvism, Cubism, and Dada, to the novels of James Joyce and Franz Kafka, to such provocative works as Marcel Duchamp's "Fountain." But Modernism also left many people puzzled in its wake. How can a routine bathroom fixture be considered a work of art? Shouldn't a novel have a beginning, a middle, and an end--or at least a story? In this Very Short Introduction, Christopher Butler provides a coherent account of Modernism across various aesthetic and cultural fields.
Taught by Jeffrey Perl Bar-Ilan University Ph.D., Princeton University
"It is no trick to like what you like. It is no trick to understand what you understand."
With that pronouncement, Professor Jeffrey Perl invites us to abandon our preconceptions and consider some of the most controversial authors of the 20th century: the Literary Modernists.
(8 lectures, 45 minutes/lecture)
