Every woman autobiographer is a daughter who writes and establishes her identity through her autobiographical narrative. In The Voice of the Mother, Jo Malin argues that many twentieth-century autobiographies by women contain an intertext, an embedded narrative, which is a biography of the writer/daughter's mother.

This meditation track is short, it lasts just 15 minutes. You will hear a ve-e-ery pleasant and soothing female voice telling you some positive and reviving things.

This text presents translators from different linguistic backgrounds discussing multilingual translation in the European Union. All articles stress the political dimension of multilingualism, and the professional role of the translator as communicator, on which much of the credibility of a union "speaking with one voice in many languages" will ultimately depend.

This third collection of Hemingway's short fiction features comparatively fewer of his well-known works. "A Clean, Well-Lighted Place," "A Way You'll Never Be," and "The Gambler, the Nun, and the Radio" are the most familiar of the 19 stories. Nonetheless, the overall quality of both writing and performance is deeply satisfying. Stacy Keach is the perfect reader. He is versatile and effortless at handling a number of accents and ages while the close miking enriches the soft bass of his fine voice without a trace of strain. The gravelly fullness of his performance suggests age and experience, ideal qualities for these austere, distinguished stories.