Baby's own Aesop"Baby's Own Aesop" presents the fables as one-stanza limericks, each "pictorially pointed" by Walter Crane, the noted painter and illustrator. He apprenticed to master wood-engraver, William James Linton, who furnished the draft of the book's poems for Crane to edit. "Baby's Own Aesop" is available in a beautiful facsimile edition of colored engravings from the International Children's Digital Library, with which your child can read along while listening to the recording. (Summary by Denny Sayers)
Hart Crane: Comprehensive Research and Study Guide (Bloom's Major Poets)
Harold Bloom refers to Hart Crane as a prophet of American Orphism, of the Emersonian and Whitmanian Native Strain in our national literature. This text offers criticism of his work from some of the most respected authorities on the subject. Studied works include "Voyages," "Repose of Rivers," "Proem: To Brooklyn Bridge," "The Tunnel," and "The Broken Tower."
In this book, Diane Crane has created five striking projects to get you started straight away. Once you start quilling you will be so delighted with the results you will want to create a whole range of fantastic cards for every occasion. About the Author Diane Boden Crane works as a freelance craft tutor, running classes and workshops all over the south east of England. She specialises in quilling and won no fewer than three first prizes at the International Festival of Quilling in 2002. She is also twice Popular Vote Winner in the Knitting and Stitching Show's competitions.
This original book contains beautiful chromolithograph illustrations. The children`s poetry and stories of Mabel and Rose traveling through France. An excellent example of the styles and architecture around the time period of 1882. Thomas Crane was the Art Director for Marcus Ward & Co., and was the elder brother of illustrator/ artist Walter Crane; Houghton was their cousin. Poems about a family of Victorian children on their first trip abroad, a visit to Northern France and Paris. A high spot of Victorian color printing.
Shakespeare’s Brain - Reading with Cognitive Theory by Mary Thomas Crane
Here Mary Thomas Crane considers the brain as a site where body and culture meet to form the subject and its expression in language. Taking Shakespeare as her case study, she boldly demonstrates the explanatory power of cognitive theory--a theory which argues that language is produced by a reciprocal interaction of body and environment, brain and culture, and which refocuses attention on the role of the author in the making of meaning. Crane reveals in Shakespeare's texts a web of structures and categories through which meaning is created. The approach yields fresh insights into a wide range of his plays, including The Comedy of Errors, As You Like It, Twelfth Night, Hamlet, Measure for Measure, and The Tempest.
Crane's cognitive reading traces the complex interactions of cultural and cognitive determinants of meaning as they play themselves out in Shakespeare's texts. She shows how each play centers on a word or words conveying multiple meanings (such as "act," "pinch," "pregnant," "villain and clown"), and how each cluster has been shaped by early modern ideological formations. The book also chronicles the playwright's developing response to the material conditions of subject formation in early modern England. Crane reveals that Shakespeare in his comedies first explored the social spaces within which the subject is formed, such as the home, class hierarchy, and romantic courtship. His later plays reveal a greater preoccupation with how the self is formed within the body, as the embodied mind seeks to make sense of and negotiate its physical and social environment.
