Charles Dickens STAGE 4 - Classics 'The Marquis lay th ere, like stone, with a knife pushed into his heart. On his chest lay a piece of paper, with the words: Drive him fast to the grave. This is from JACQUES.' The French Revolution brings terror and death to many people. But even in these troubled times people can still love and be kind. They can be generous and true-hearted . . . and brave.
Bare Bones: Conversations on Terror With Stephen King
In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known.
The script follows a squad of American soldiers called the Bastards — a guerrillalike force who travel behind German lines in 1944, striking terror into the hearts of Nazi soldiers.
From the author of “The Last Tsar”, the first full-scale life of Stalin to have what no previous biography has entirely gotten hold of: the facts. Granted privileged access to Russia's secret archives, Edvard Radzinsky paints a picture of the Soviet strongman as more calculating, ruthless, and blood-crazed than has ever been described or imagined. Stalin was a man for whom power was all, terror a useful weapon, and deceit a constant companion.As Radzinsky narrates the high drama of Stalin's epic quest for domination-first within the Communist Party, then over the Soviet Union and the world-he uncovers the startling truth about this most enigmatic of historical figures. Only now, in the post-Soviet era, can what was suppressed be told: Stalin's long-denied involvement with terrorism as a young revolutionary; the crucial importance of his misunderstood, behind-the-scenes role during the October Revolution; his often hostile relationship with Lenin; the details of his organization of terror, culminating in the infamous show trials of the 1930s; his secret dealings with Hitler, and how they backfired; and the horrifying plans he was making before his death to send the Soviet Union's Jews to concentration camps-tantamount to a potential second Holocaust.
Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries.
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