Phillip Burrows and Mark Foster - Taxi of Terror (Oxford Bookworms - Starter)
How does it work?' Jack asks when he opens his present - a mobile phone. Later that night, Jack is a prisoner in a taxi in the empty streets of the dark city. Now he tries his mobile phone for the first time. Can it save his life?
In the sleepy rural town of Painters Mill, Ohio, the Amish and “English” residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish.
Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.
The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere
'This is a fascinating, diverse and rich book which combines across the Gothic and the postcolonial in its concern with varieties of colonial and imperial Gothic 'Other', at different times, introducing a focus on the "war on terror" as a topical "hook."
Terror and Irish Modernism: The Gothic Tradition from Burke to Beckett
Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century’s most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic.
