After discussing the structuralism, post structuralism, Marxist, queer and feminist theories of dramatic action and dramaturgical development, the author posits an ontological (and refreshing) vision of Shakespearian stagecraft and dramatic movement. Shakespeare is seen as an actor and Roman Catholic, an outsider in an early modern Protestant state in the process of dynamic cultural, economic reform and political repression. These themes are reflected in the unsettled, morally ambiguous characterizations that Professor Crosman studies: Hamlet, Polonius, McBeth, Henry V and Falstaff among others.
Noth leaves no stone unturned, combining historical analysis of its roots in structuralism from its Pierce, Morris, Saussure, Hjelmslev and Jakobson beginnings through Barthes, structuralism, Post and Neo structuralism to present day applications such as in drama, myth, ideology, rhetoric, nonverbal and visual communication(aesthetics, advertizing or comics for example). Very thorough, and useful I found for quick-to-reference definitions of terms, and placing the mass of scholarship within the field and correlating fields depending on its applications.
"One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University
Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism.