T H E revolution in foreign language teaching that is currently sweeping away traditional methods and approaches was surveyed by B. Libbish, editor of Volume One of this series (1964), in his Introduction. He concluded: "There is still much to be done. We are merely on the fringe of the new procedures." Volume Two, which offers twelve articles by pioneers in modern language teaching, is an attempt to show some of the steps that have been taken in the development of new procedures. Yet we can but echo: "There is still much to be done."
Kay Scarpetta, chief medical examiner of Virginia and heroine of Postmortem , gets involved in the case of a brutal stabbing death in Richmond of romance writer Beryl Madison. Now Madison's greedy lawyer accuses Scarpetta of losing his client's latest manuscript, an autobiographical expose of Beryl's early life as protege of a legendary novelist. As more deaths occur and the killer closes in on her, Kay suffers palpitations over the sudden and devious reappearance of long-lost lover Mark but still finds time to provide forensic details. Despite its foregone conclusion, a swift-moving, thrilling, and provocative second novel.
In his first book since 1999, it's just like old times as Vonnegut (now 82) makes with the deeply black humor in this collection of articles written over the last five years, many from the alternative magazine In These Times. But the pessimistic wisecracks may be wearing thin; the conversational tone of the pieces is like Garrison Keillor with a savage undercurrent. Still, the schtick works fine most of the time, underscored by hand-lettered aphorisms between chapters.
In addition to revisions and updates, the second edition of “We Are Still Here” features new material, seeing this well-loved American History Series volume maintain its treatment of American Indians in the 20th century while extending its coverage into the opening decades of the 21st century. Provides student and general readers concise and engaging coverage of contemporary history of American Indians contributed by top scholars and instructors in the fieldRepresents an ideal supplement to any U.S. or Native American survey textIncludes a completely up-to-date synthesis of the most current literature in the field
From the very outset in the West—from the time of Homer himself in about 750 BCE—the epic has been the most highly regarded of literary genres. It is rivaled only by tragedy, which arose a bit more than two centuries later, as the most respected, the most influential, and, from a slightly different vantage point, the most prestigious mode of addressing the human condition in literary terms. The major epics are the big boys, the works that, from the very outset, everyone had heard of and everyone knew, at least by reputation.
