For Steve Berry, it's a fortuitous coincidence that his third novel, a Vatican-centered conspiracy thriller titled The Third Secret, was published in the immediate aftermath of Pope Benedict XVI's anointment in Rome. While this exuberantly contrived yarn would likely have drawn an audience at any time, it benefits from coming before readers just after they've been primed with news reports about papal succession, the relative influence and legacy of pontiffs, and the increasing tug-of-war between Roman Catholic progressives and conservative traditionalists.
Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope’s Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera. The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering