What sort of person kills, then cannibalizes his victim? Or stalks and terrorizes his prey? And what separates him from the rest of us? In Bad Men Do What Good Men Dream: a Forensic Psychiatrist Illuminates the Darker Side of Human Behavior, Robert I. Simon, Clinical Professor of Psychiatry and Director of the Program in Psychiatry and Law at Georgetown University School of Medicine, trains the Klieg light of his intellect and experience to illuminate our shadowy world and that of violent criminals a difference more of degree than of kind.
Bloom - The Botanical Vernacular in the English Novel
Starting from the botanical crazes inspired by Linnaeus in the eighteenth century, and exploring the variations it spawned--natural history, landscape architecture, polemical battles over botany's prurience--this study offers a fresh, detailed reading of the courtship novel from Jane Austen to George Eliot and Henry James. By reanimating a cultural understanding of botany and sexuality that we have lost, it provides an entirely new and powerful account of the novel's role in scripting sexualized courtship, and illuminates how the novel and popular science together created a cultural figure, the blooming girl, that stood at the center of both fictional and scientific worlds.
What is art really about? What is its true sense? For John Sallis, we cannot gain a genuine understanding of art by merely translating its effects into conceptual language. Rather, works of art must be approached in a way that does justice to their sensuous and enigmatic character—that illuminates their capacity to present truth without pretending to dispel the real mystery at art’s core.
Known to most as a realm of exile and labor camps, Siberia is also one of the world's wealthiest resource bases. This harsh, vast land constitutes nearly three-quarters of Russia's territory, yet after four centuries of Slavic migration and procreation it is home to a mere 32 million people. In this comprehensive book, Victor Mote illuminates the dichotomy between Siberia's rich treasure house of resources and its peripheral relationship to the rest of the world.
Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four women in England who enjoyed career-long success as comicplaywrights from 1670-1800. Their respective approaches to the body, contracts, nationalism, and divorce animate their comedies and provide comic comment on the marriage plot. By attending to the dialogue between humorous comic events and the more predictable comic endings of these plays, Anderson illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.
