From the viewpoint of art history, an image is discrete, still. How can a moving image—constructed from countless constituent images—even be considered an image? And where in time is an image in motion located? Cubitt traces the complementary histories of two forms of the image/motion relationship—the stillness of the image combined with the motion of the body (exemplified by what Cubitt calls the "protocinema of railway travel") and the movement of the image combined with the stillness of the body (exemplified by melodrama and the magic lantern).
This instructive volume has been designed to help artists learn to draw by careful emulation of master works. The author methodically analyzes 100 famous drawings by such artists as Michelangelo, Raphael, Rembrandt and Watteau, and explains the principles of art exemplified by each sketch.
