A Discourse for the Holy Grail in Old French Romance
The Holy Grail made its first literary appearance in the work of the twelfth-century French poet, Chrétien de Troyes, and continues to fascinate authors and audiences alike. This study, supported by a theoretical framework based on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, aims to strip the legend of much of the mythological and folkloric association that it has acquired over the centuries, arguing that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation.
This book provides the teacher and student with a wide variety of suitable material for essay work and letter writing, together with simple instructions on how to go about it. The subject-matter is so arranged that the students will be able to work systematically at the writing of English over a long period. The teacher, too, will have at his disposal a great number of exercises and topics so that he can keep a close check on the written work of his pupils.
Victor Pelevin - Buddha's Little Finger (Chapaev i Pustota)
Added by: tempter83 | Karma: 28.05 | Fiction literature | 28 October 2009
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The ambitious, time-traveling scenario of Russian writer Pelevin's third novel finds the aptly named poet Pyotr Void tumbling between two distinct nightmares. In the first he is serving as commissar to the legendary Bolshevik commander, Chapaev, during the 1919 Russian Civil War. Pyotr pines for Chapaev's machine gunner, Anna, entertains officers who come to pinch cocaine (acquired by an accident of fate) on the pretext of discussing the nature of the intelligentsia, and feels horribly disjointed all the while.
The measure of the executive, Peter F. Drucker reminds us, is the ability to "get the right things done." This usually involves doing what other people have overlooked as well as avoiding what is unproductive. Intelligence, imagination, and knowledge may all be wasted in an executive job without the acquired habits of mind that mold them into results.
In this indispensable introductory study of the Renaissance sonnet, Michael R.G.Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically ‘the nature of the desiring self’.
