Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.
Euclid's birthplace and dates are not known, however his famous book, The Elements, is dated about 300 BC. There is little hard information about Euclid's life. He is thought to have studied in Athens at the school established by Plato, and therefore would have learnt his geometry from the students of Plato.
Euclid probably supported himself teaching geometry. He eventually moved to Alexandria where the greatest library in the ancient world was also the most important site of learning at the time. It is here that Euclid composed The Elements.
The Rise and Fall of Soul and Self - An Intellectual History of Personal Identity
This book traces the development of theories of the self and personal identity from the ancient Greeks to the present day. From Plato and Aristotle to Freud and Foucault, Raymond Martin and John Barresi explore the works of a wide range of thinkers and reveal the larger intellectual trends, controversies, and ideas that have revolutionized the way we think about ourselves.The authors open with ancient Greece, where the ideas of Plato, Aristotle, and the materialistic atomists laid the groundwork for future theories. They then discuss the ideas of the church fathers and medieval and Renaissance philosophers, including St. Paul, Philo, Augustine, Aquinas, and Montaigne.
This innovative study of Plato's ethics focuses on the concept of virtue. Based on detailed readings of the most prominent Platonic dialogues on virtue, it argues that there is a central yet previously unnoticed conceptual distinction in Plato between the idea of virtue as the supreme aim of one's actions and the determination of which action-tokens or -types are virtuous.
Once upon a time there were just the gods; mortal beings did not yet exist. We are used to thinking of myths containing lines like this simply as stories, and modern myths as made up and fictitious. For the ancient Greeks, however, a myth was unveiled reality, and for Plato, who was a myth-maker as well as a myth-teller, a myth could tell us something important about ourselves and our world. The ultimate purpose of Plato's myths is to help us live a better life, and to teach philosophical truths in a form we can most easily understand.
