Over a period of over forty years, Geoffrey Leech has made notable contributions to the field of literary stylistics, using the interplay between linguistic form and literary function as a key to the ‘mystery’ of how a text comes to be invested with artistic potential. In this book, seven earlier papers and articles, read previously only by a restricted audience, have been brought together with four new chapters, the whole volume showing a continuity of approach across a period when all too often literary and linguistic studies have appeared to drift further apart.
In this interdisciplinary work that ranges from the ancients through the Renaissance to the present, Jonathan Hart examines systems, law, theatre, nature, stereotype, otherness, authority, new historicism, deconstruction, feminism, reading, interpretation, poetry, and poetics. The book considers crucial topics and controversies involving the field of Comparative Literature, including subjectivity, Bartolomé de Las Casas, and globalization. Regardless of the period, this towering study assumes that meaning, genre, character, language, and structure are principal matters for debate.
First published in 1983, this book focuses on the twentieth-century writer as both a product, and an interpreter, of his or her society. It explores the social basis of our conceptions of literature and the ways in which writing is affected by the media, institutional and technical, through which it reaches readers. The text looks at experiences of the period in terms of domestic and world affairs, sexuality, and philosophical and religious attitudes. It discusses the social and economic structures which specifically affect the act of writing, and considers the dominant developments of the period in three genres: novels, poetry and writing for theatre.
The period described in this volume begins in the year after the death of Julius Caesar and ends in the year after the fall of Nero. Its main theme is the transformation of the political configuration of the state to a dynastic monarchy and the establishment of the Roman Empire. Central to the period is the achievement of the first emperor, Augustus.
Travel writing has always been intimately linked with the construction of American identity. Occupying the space between fact and fiction, it exposes cultural fault lines and reveals the changing desires and anxieties of both the traveller and the reading public. These specially-commissioned essays trace the journeys taken by writers from the pre-revolutionary period right up to the present. They examine a wide range of responses to the problems posed by landscapes found both at home and abroad, from the Mississippi and the Southwest to Europe and the Holy Land.
