Women Through the Lens - Gender and Nation in a Century of Chinese Cinema
Gender and nation have often served as narrative subjects and visual tropes in Chinese cinema. The intersections between the two that occur in cinematic representation, however, have received little critical attention. Women through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China.
The New German Cinema: Music, History, and the Matter of Style
When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates.
Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Ruiz makes an appeal for an entirely new way of filming, writing and conceiving the image. "'Light, more light,' were Goethe's last words as he died. 'Less light, less light,' Orson Welles cried repeatedly on a set--the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!
The Age of the Dream Palace: Cinema and Society in 1930s Britain
The period between the two world wars is often named "the golden age of the cinema" in Britain. This definitive and entertaining book on the cinema and cinema-goers of the era is herewith reissued with a new Introduction. Jeffrey Richards, described by Philip French as "a shrewd critic, a compulsive moviegoer, and a professional historian," tells the absorbing story of the cinema during the decade that produced Alfred Hitchcock's thrillers, the musicals of Jessie Matthews and Alexander Korda's epics.
