Added by: superjacared | Karma: 0.00 | Black Hole | 1 October 2018
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Elizabeth Bishop’s Poetics of Intimacy
Elizabeth Bishop’s Poetics of Intimacy
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Oral Poetics has produced insights that are relevant not only for the study of oral traditions, but also for our general understanding of language and cognition. Cognitive Science has developed theories with great potential for research on poetics and oral performance. This book explores how connections between the two disciplines can lead to a Cognitive Oral Poetics, a new field for the study of oral poetry as a window to the mind.
Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century.
Wordsworth, Commodification, and Social Concern: The Poetics of Modernity
This reading of Wordworth's poetry by leading critic David Simpson centres on its almost obsessive representation of spectral forms and images of death in life. Wordsworth is reacting, Simpson argues, to the massive changes in the condition of England and the modern world at the turn of the century: mass warfare; the increased scope of machine-driven labour and urbanisation; and the expanding power of commodity form in rendering economic and social exchange more and more abstract, more and more distant from human agency and control.
Matthew Campbell explores the work of four Victorian poets--Tennyson, Browning, Hopkins and Hardy--in the context of their concern with questions of human agency and will. Through close study of meter, rhyme and rhythm, Campbell reveals how closely, for these poets, questions of poetics are related to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, from Milton through Romanticism and into contemporary critical debate, making a major contribution to the current renewal of interest in formalist readings of poetry.