The Brain Is the Screen - Deleuze and the Philosophy of Cinema
In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear.
Sixties Shockers - A Critical Filmography of Horror Cinema, 1960-1969
This comprehensive filmography provides critical analyses and behind-the-scenes stories for 600 horror, science fiction and fantasy films from the 1960s. During those tumultuous years horror cinema flourished, proving as innovative and unpredictable as the decade itself. Representative titles include Night of the Living Dead, The Haunting, Carnival of Souls, Repulsion, The Masque of the Red Death, Targets and The Conqueror Worm. An historical overview chronicles the explosive growth of horror films during this era, as well as the emergence of such dynamic directorial talents as Roman Polanski, George Romero, Francis Ford Coppola and Peter Bogdanovich.
Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies.
Contemporary New Zealand Cinema - From New Wave to Blockbuster
New Zealand cinema burst onto the global stage in the 1970s and has maintained its high-profile international presence with such films as Whalerider, the Lord of the Rings trilogy and Once Were Warriors. Contemporary New Zealand Cinema is an astute analysis of this fascinating industry and the most thorough book available on a vibrant filmmaking culture. The book explores the industry, questions of aesthetics and form, nation and identity through the full range of filmmaking in New Zealand.
Inside the Film Factory - New Approaches to Russian and Soviet Cinema
A collection of essays that use new methodological approaches and original archival material to study Soviet film. The book includes the first account in English of the careers of Protazanov and Barnet.
