Hegel, Deleuze, and the Critique of Representation provides a critical account of the key connections between twentieth-century French philosopher Gilles Deleuze and nineteenth-century German idealist G. W. F. Hegel. While Hegel has been recognized as one of the key targets of Deleuze s philosophical writing, Henry Somers-Hall shows how Deleuze s antipathy to Hegel has its roots in a problem the two thinkers both try to address: getting beyond a philosophy of judgment and the restrictions of Kant s transcendental idealism.
Engaging with the challenging and controversial reading of "Spinoza" presented by Gilles Deleuze in "Expressionism in Philosophy" (1968), this book focuses on Deleuze's redeployment of Spinozist concepts within the context of his own philosophical project of constructing a philosophy of difference as an alternative to the Hegelian dialectical philosophy. Duffy demonstrates that a thorough understanding of Deleuze's Spinozism is necessary in order to fully engage with Deleuze's philosophy of difference.
In many ways this is a question Gilles Deleuze (1925–95) himself might have asked. Deleuze took nothing for granted and insisted that the power of life – all life and not just human life – was its power to develop problems. Life poses problems – not just to thinking beings, but to all life. Organisms, cells, machines and sound waves are all responses to the complication or ‘problematising’ force of life.
The Brain Is the Screen - Deleuze and the Philosophy of Cinema
In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear.
This text takes up Deleuze's most powerful argument on the task of contemporary philosophy in the West. Deleuze argues that it is only through a creative engagement with the forms of non-philosophy - notably modern art, literature and cinema - that philosophy can hope to restore the broken links of perception, language and emotion. In a sequence of essays, Gregg Lambert analyses Deleuze's investigations into the modern arts. Particular attention is paid to Deleuze's exploration of Liebniz in relation to modern painting and to Borges with regard to an understanding of the relationship between philosophy, literature and language.
