According to the traditional view, meaning presents itself under the form of some kind of identity. To give the meaning of a sentence amounts to being capable of producing some substitute based on the identity of the terms of the sentence. Is then the meaning of a book, or of any text, the capacity of rewriting it? Instead of retaining a double-standard theory of meaning, one for sentences and another for texts, that would allow for an ad hoc gap, the author provides a unified conception, called the question view of language he has developed, known as problematology.
Advertising Age (or AdAge) is a magazine, delivering news, analysis and data on marketing and media. The magazine was started as a broadsheet newspaper in Chicago in 1930. Today, its content appears in a print weekly distributed around the world and on many electronic platforms, including: AdAge.com, daily e-mail newsletters called Ad Age Daily, Ad Age's Mediaworks and Ad Age Digital; weekly newsletters such as Madison & Vine (about branded entertainment) and Ad Age China; podcasts called Why It Matters and various videos.
Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image.
Reginald Hill - Exit Lines Three old men die on a stormy November night: one by deliberate violence, one in a road accident and one by an unknown cause. Inspector Pascoe is called in to investigate the first death, but when the dying words of the accident victim suggest that a drunken Superintendent Dalziel had been behind the wheel, the integrity of the entire Mid-Yorkshire constabulary is called into question.
Regimes of Derivation in Syntax and Morphology presents a theory of the architecture of the human linguistic system that differs from all current theories on four key points. First, the theory rests on a modular separation of word syntax from phrasal syntax, where word syntax corresponds roughly to what has been called derivational morphology. Second, morphosyntax (corresponding to what is traditionally called "inflectional morphology") is the immediate spellout of the syntactic merge operation, and so there is no separate morphosyntactic component.
