«Music is no mere play of sound, no mere tonal texture, but has a significant psychic, spiritual/intellectual and social dimension. In other words: a musical art work is not merely an autonomous artifact but also document humain.» With this thesis - and with a view to the question as to the meaning of music as such - the author opens his broadly designed plea for a «humane music.» Based on interdisciplinary researches, and making use of partly unfamiliar documents, he demonstrates on musical works from Monteverdi to Alban Berg how and why they can be heard and understood as a tonal language specifically of love.
Engaging with the challenging and controversial reading of "Spinoza" presented by Gilles Deleuze in "Expressionism in Philosophy" (1968), this book focuses on Deleuze's redeployment of Spinozist concepts within the context of his own philosophical project of constructing a philosophy of difference as an alternative to the Hegelian dialectical philosophy. Duffy demonstrates that a thorough understanding of Deleuze's Spinozism is necessary in order to fully engage with Deleuze's philosophy of difference.
Foucault and Philosophy presents a collection of essays from leading international philosophers and Foucault scholars that explore Foucault’s work as a philosopher in relation to philosophers who were important to him and in the context of important themes and problems in contemporary philosophy Represents the only volume to explore in detail Foucault’s relation with key figures and movements in the history of philosophy Explores Foucault's influence upon contemporary and future directions in philosophy Brings together a group of outstanding scholars in the field and allows them to explore their topic at a high level of sophistication
This examination of the relation between law and drama in Renaissance England establishes the diversity of their dialogue, encompassing critique and complicity, comment and analogy, but argues that the way in which drama addresses legal problems and dilemmas is nevertheless distinctive. As the resemblance between law and theatre concerns their formal structures rather than their methods and aims, an interdisciplinary approach must be alive to distinctions as well as affinities.
Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry—including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho—revised for this edition—complete with notes and sources.
