Containing many previously unpublished letters, this third volume of a six volume collection of the complete correspondence of John Wallis (1616-1703), documents an important period in the history of the Royal Society and the University of Oxford. By providing access to these letters, this painstakingly crafted edition will enable readers to gain a deeper and richer awareness of the intellectual culture on which the growth of scientific knowledge in early modern Europe was based.

Shakespeare and the English-speaking Cinema is a lively, authoritative, and innovative overview of the ways in which Shakespeare's plays have been adapted for cinema.

Catholicism, Controversy and the English Literary Imagination, 1558-1660

"Catholicism, Controversy, and the English Literary Imagination, 1558-1660 is an complex study of Catholic poets and dramatists in what is perhaps the most complex period of English literary and religious history. Shell's approach to the religious and literary changes of this period is refreshingly candid. Most of the traditional literary historians simply group everything under the heading Christian, and as the author has shown, the differences are both confessional and aesthetic. All in all, Shell writes a very learned and interesting book." Church History

Since economies are dynamic processes driven by creativity, social norms, and emotions as well as rational calculation, why do economists largely study them using static equilibrium models and narrow rationalistic assumptions? Economic activity is as much a function of imagination and social sentiments as of the rational optimisation of given preferences and goods. Richard Bronk argues that economists can best model and explain these creative and social aspects of markets by using new structuring assumptions and metaphors derived from the poetry and philosophy of the Romantics.

The literary study of emotion is part of an important revisionary movement among scholars eager to recast emotional politics for the twenty-first century. Looking beyond the traditional categories of sentiment, sensibility, and sympathy, Jennifer Travis suggests a new approach to reading emotionalism among men. She argues that the vocabulary of injury, with its evaluations of victimhood and its assessments of harm, has deeply influenced the cultural history of emotions.