This book is about the things which could unite, rather than divide, poets during the English Civil Wars: friendship, patronage relations, literary admiration, and anti-clericalism. The central figure is Andrew Marvell, renowned for his "ambivalent" allegiance in the late 1640s. Little is known about Marvell's associations in this period, when many of his best-known lyrics were composed. The London literary circle which formed in 1647 under the patronage of the wealthy royalist Thomas Stanley included "Cavalier" friends of Marvell such as Richard Lovelace but also John Hall, a Parliamentarian propagandist inspired by reading Milton.
Patrons, Brokers and Clients in Seventeenth-Century France
A bold new study of politics and power in 17th-century France, this book argues that the French Crown centralized its power nationally by changing the way it delegated its royal patronage in the provinces. During this period, the royal government of Paris gradually extended its sphere of control by taking power away from the powerful and potentially disloyal provincial governors and nobility and instead putting it in the hands of provincial power brokers--regional notables who cooperated with the Paris ministers in exchange for their patronage.
Court Politics, Culture and Literature in Scotland and England 1500 - 1540
The focus of this study is court literature in early sixteenth-century England and Scotland. Author Jon Robinson examines courtly poetry and drama in the context of a complex system of entertainment, education, self-fashioning, dissimulation, propaganda and patronage. He places selected works under close critical scrutiny to explore the symbiotic relationship that existed between court literature and important socio-political, economic and national contexts of the period 1500 to 1540.The first two chapters discuss the pervasive influence of patronage upon court literature through an analysis of the panegyric verse that surrounded the coronation of Henry VIII.
In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts.
Court Patronage and Corruption in Early Stuart England
Private alliances and exchange of favors permeated political, social, economic, and artistic life in early modern Europe. These informal patronage relationships, which helped construct ties between monarchs and political elites, were especially strong in early Stuart England. As court patronage grew, so did opportunities for betrayal and corruption. But was Stuart government really more corrupt than Tudor government? Were the structures of governance becoming unworkable, or were they badly managed by the Stuarts?
