Geographies of Mars: Seeing and Knowing the Red Planet
One of the first maps of Mars, published by an Italian astronomer in 1877, with its pattern of canals, fueled belief in intelligent life forms on the distant red planet—a hope that continued into the 1960s. Although the Martian canals have long since been dismissed as a famous error in the history of science, K. Maria D. Lane argues that there was nothing accidental about these early interpretations. Indeed, she argues, the construction of Mars as an incomprehensibly complex and engineered world both reflected and challenged dominant geopolitical themes during a time of major cultural, intellectual, political, and economic transition in the Western world.
The Unknown City: Contesting Architecture and Social Space
The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. .
The Lords of Strategy: The Secret Intellectual History of the New Corporate World
Imagine, if you can, the world of business - without corporate strategy. Remarkably, fifty years ago that's the way it was. Businesses made plans, certainly, but without understanding the underlying dynamics of competition, costs, and customers. It was like trying to design a large-scale engineering project without knowing the laws of physics.
An old friend of Biggie's comes back to Job's Crossing. Rex Barnwell, along with his young wife, has returned to convert his father's ranch into a retreat for overweight teenage girls, and Biggie is forced to reveal a secret that she has always kept from J.R. Not long after this startling revelation, Rex is murdered. Knowing full well that he won't be able to keep Biggie away, the Texas Ranger in charge of the case enlists her help." "While Biggie pursues her investigation, J.R. has his hands full with troubles of his own.
“Knowing Art” collects ten original essays written by leading philosophers who distill and build upon recent work at the intersection of aesthetics and epistemology. Specific topics addressed include the objectivity of critical knowledge, the quality of critical testimony, the roles of principles and perception in critical reasoning, phenomenal knowledge of what a work of art is like, the acquisition of factual information and psychological understanding from fictions, and the limits of images as sources of historical evidence.
