The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on 'Global Gothic' reflects the direction Gothic criticism has taken over the last decade.

The Modern Gothic and Literary Doubles is concerned with Gothic representations of London in the late nineteenth-century. Establishing that a modern Gothic literary mode relocates the traditional rural Gothic to the late nineteenth-century metropolis, this volume explores the cultural history of London in the nineteenth century. The subsequent discussion of the Gothic fictions of Stevenson, Wilde and Wells offers new perspectives from which to assess the impact of contemporary perceptions of London as a Gothicized space on the works of these novelists.

The Gothic Fiction of Adelaida García Morales

The Gothic as a literary mode extending well beyond its first proponents in eighteenth-century England is well established in English studies but has been strangely under-used by Hispanists.

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Gothic by Rolf Tomanby Rolf Toman

Here is a wonderful book that both inspires and educates. A huge volume covering the Gothic movement in art from the 12th century to the Renaissance, it focuses largely on the development of Gothic architecture, resplendent in well-placed illustrations and photographs that evoke the grandeur of the period. Smaller sections follow on sculpture, painting, stained glass, and gold work. The text is clear and organized, with each chapter authored by German writers and art experts; the translation from German may account for some small editorial errors.  

Gothic Romanticism: Architecture, Politics, and Literary Form

Gothic Romanticism is a study of the relationship between British Romanticism and the Gothic Revival. Reading a wide range of canonical and rare texts, and spanning the Romantic discourses of architecture, politics, and literary form, the book recovers the collaborative project of Wordsworth, Coleridge, and Southey for a purified 'Gothic' poetry and a 'second Gothic' culture.