This engrossing book presents the first collection in more than three decades of one of America’s finest drama critics. Richard Gilman chronicles a major period in American theater history, one that witnessed the birth or spread of Off-Broadway, regional theater, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. His writing, however, is more than a revealing look at an era. It is criticism for the ages.
Added by: Kahena | Karma: 11526.37 | Fiction literature | 13 December 2011
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Rhesos (Greek Tragedy in New Translations)
The story of a futile quest for knowledge, this ancient anti-war drama is one of the neglected plays within the corpus of Greek tragedy. Euripides' shortest tragic work, Rhesos is unique in lacking a prologue, provoking some scholars to the conclusion that the beginning of the play has been lost. In this exciting translation, Rhesos is no longer treated as a derivative Euripidean work, but rather as the tightly-knit tragedy of knowledge it really is. A drama in which profound problems of fate and free will come alive, Rhesos is also an exploration of the perversion of values that come as the result of war.
Intertextual Loops in Modern Drama explores the intertextual conversations and palimpsestuous relations between modern and contemporary European dramatists such as Alan Bennett, Elfriede Jelinek, Milan Kundera, Heiner Muller, and Stanislaw Ignacy Witkiewicz, and canonical texts by novelists and dramatists including Choderlos de Laclos, Denis Diderot, Henrik Ibsen, and Franz Kafka. Witkiewicz and Jelinek represent avant-garde subversions and transgressions of Ibsen's theatrical naturalism.
Key Concepts in Theatre Drama Education provides the first comprehensive survey of contemporary research trends in theatre/drama education. It is an intriguing rainbow of thought, celebrating a journey across three fields of scholarship: theatre, education and modes of knowing. Hitherto no other collection of key concepts has been published in theatre /drama education. Fifty seven entries, written by sixty scholars from across the world aim to convey the zeitgeist of the field. The book's key innovation lies in its method of writing, through collaborative networking, an open peer-review process, and meaning-making involving all contributors.
The Socratic Method - Plato's Use of Philosophical Drama
This book develops a new account of Socratic method, based on a psychological model of Plato's dramatic depiction of Socrates' character and conduct. Socratic method is seen as a blend of three types of philosophical discourse: refutation, truth-seeking, and persuasion. Cain focuses on the persuasive features of the method since, in her view, it is this aspect of Socrates' method that best explains the content and the value of the dialectical arguments.
