Though full of treasures, this farewell to the world of the authors' bestselling Belgariad and Mallorean sagas is rather a mixed bag. The book contains an autobiographical foreword, explaining the roots of the double saga in David Eddings's reading of medieval epics, the editorial influence of the late Lester del Rey, the longstanding but only recently acknowledged role of the author's wife as "unindicted collaborator" and the perils of writing high fantasy in general. The volume then presents a variety of well-crafted pseudobiblia, such as Belgarath's autobiography and many of the Holy Books.
Added by: honhungoc | Karma: 8663.28 | Black Hole | 29 April 2011
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Steps to Writing Well with Additional Readings
The informal, student-friendly tone of this rhetorically-organized rhetoric/reader/handbooks provides step-by-step instructions on writing a variety of short, 500-800-word essays. This is a text that both students and instructors can use easily.
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Emerson, author of the Lady Appleton and Diana Spaulding mystery series, turns her hand to how it’s done in this useful guide to writing historical crime fiction. Drawing on her own works and those of her fellow historical-mystery writers (Kerry Greenwood, Alan Gordon, Carola Dunn, and others), she lays out, in commonsense sequence, the stages of planning and writing a historical mystery. Chapters on choosing setting and character, research, crafting a plot, and selling your book offer much of the same information as similar chapters in other how-to books for mystery writers, but the information is nicely tailored for this particular genre.
