The Chinese Rime Tables: Linguistic philosophy and historical-comparative phonology (Current Issues in Linguistic Theory)
This book, the first in its field in a Western language, examines China’s native phonological tool with regard to reconstruction, theory, and linguistic philosophy.
About a century after the year Benjamin Lee Whorf (1897–1941) was born, his theory complex is still the object of keen interest to linguists. Rencently, scholars have argued that it was not his theory complex itself, but an over-simplified, reduced section taken out of context that has become known as the Sapir-Whorf hypothesis that has met with so much resistance among linguists over the last few decades. Not only did Whorf present his views much more subtly than most people would believe, but he also dealt with a great number of other issues in his work.
Game Theory 101: The Complete Textbook is a no-nonsense, games-centered introduction to strategic form (matrix) and extensive form (game tree) games. From the first lesson to the last, this textbook introduces games of increasing complexity and then teaches the game theoretical tools necessary to solve them. Quick, efficient, and to the point, Game Theory 101: The Complete Textbook is perfect for introductory game theory, intermediate microeconomics, and political science.
The Ontology of Language: Properties, Individuals and Discourse
The book offers contributions to a number of topics in semantics, while at the same time providing an engaging discussion of key foundational issues and of what Property Theory can contribute to them. The book starts from a version of Property Theory which stems out of a combination of the lambda calculus with Aczel's Frege structures (a combination originally developed by Raymond Turner).
We all have the ability to recognize and create humour, but how exactly do we do it? Salvatore Attardo and Victor Raskin have attempted to explain the workings of humour with their General Theory of Verbal Humor (1991). The central aim of Hamilton's study is to test the usefulness of the General Theory of Verbal Humor on a specific corpus by identifying and interpreting the narrative structures that create humour. How well can this theory explain the way humour 'works' in a particular tale, and can it provide us with interesting, novel interpretations? The genres used to test the General Theory of Verbal Humor are the fabliau, the parody and the tragedy.
