Shakespeare in the Movies: From the Silent Era to Shakespeare in Love
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love.
How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyze how the plays are fundamentally altered in their screen versions.
Based partially on a Celtic legend, King Lear occupies a special place in the Shakespearean canon. Lear's descent into madness, the central event of this play, illustrates the extent to which humanity can be degraded by its errors. Harold Bloom calls King Lear "the unique eminence in the world's literary world." This new edition is perfect for high school and college students doing in-depth study on this work of the Bard. Further resources such as a chronology of Shakespeare's life, a useful bibliography, and a handy index round out the title.
Considering the hundreds of thousands of words that have been written about Shakespeare, relatively little is known about the man himself. In the absence of much documentation about his life, we have the plays and poetry he wrote. In this addition to the Eminent Lives series, bestselling author Bryson (The Life and Times of the Thunderbolt Kid) does what he does best: marshaling the usual little facts that others might overlook for example, that in Shakespeare's day perhaps 40% of women were pregnant when they got married to paint a portrait of the world in which the Bard lived and prospered.
The Taming of the Shrew (The New Cambridge Shakespeare)
One of Shakespeare's most popular yet controversial plays, this edition of The Taming of the Shrew considers its reception in the light of the hostility and embarrassment it often arouses, taking account of both scholarly defences and modern feminist criticism of the play.
For this updated edition Ann Thompson has added new sections to the Introduction which describe the 'deeply problematic' nature of debates about the play and its reception since the 1980s. She discusses recent editions and textual, performance and critical studies.
