Exile defines the Shakespearean canon, from The Two Gentlemen of Verona to The Two Noble Kinsmen. This book traces the influences on the drama of exile, examining the legal context of banishment (pursued against Catholics, gypsies and vagabonds) in early modern England; the self-consciousness of exile as an amatory trope; and the discourses by which exile could be reshaped into comedy or tragedy. Across genres, Shakespeare's plays reveal a fascination with exile as the source of linguistic crisis, shaped by the utterance of that word "Banished".
Ken Ludwig devised his methods while teaching his own children, and his approach is friendly and easy to master. Beginning with memorizing short specific passages from Shakespeare's plays, this method then instills children with cultural references they will utilize for years to come. Ludwig’s approach includes understanding of the time period and implications of Shakespeare’s diction as well as the invaluable lessons behind his words and stories.
The School Shakespeare series arises out of the research and development work of the Shakespeare and School Project. Each play in the series has been carefully edited to enable students to inhabit Shakespeare's imaginative world in accessible and creative ways.
This is a collection of original essays about how Shakespeare and how his plays are increasingly being used as a means of furthering literacy, language arts, creative and dramatic learning for children in and out of the classroom. It is divided into three sections comprising essays by well-known children's book authors, literary scholars, and teachers, respectively, who approach the subject from a wide range of perspectives.
Montaigne's English Journey examines the genesis, early readership, and multifaceted impact of John Florio's exuberant translation of Michel de Montaigne's Essays. Published in London in 1603, this book was widely read in seventeenth-century England: Shakespeare borrowed from it as he drafted King Lear and The Tempest, and many hundreds of English men and women first encountered Montaigne's tolerant outlook and disarming candour in its densely-printed pages.
