How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
Winner of the 2010 National Book Critics Circle Award for Biography How to get along with people, how to deal with violence, how to adjust to losing someone you love—such questions arise in most people’s lives. They are all versions of a bigger question: How do you live? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, considered by many to be the first truly modern individual.
Rural Renaissance: Renewing the Quest for the Good Life
In the ’60s it was called the "back to the land" movement, and in Helen and Scott Nearings’ day, it was "living the good life." Whatever the term, North Americans have always yearned for a simpler way. But how do you accomplish that today? Blending inspiration with practical how-to’s, Rural Renaissance captures the American dream of country living for contemporary times. Journey with the authors and experience their lessons, laughter and love for the land as they trade the urban concrete maze for a five-acre organic farm and bed and breakfast in southwestern Wisconsin. Rural living today is a lot more than farming.
The Renaissance was a brilliant period of artistic achievement and innovation, reflected in the art, literature and music of this time. Renaissance artists were in great demand by wealthy patrons seeking original paintings, sculptures, poetry, plays, music and more. Renaissance Art, Music & Literature explores the newly discovered uses of realism, mathematics and perspective in art; the introduction of new musical instruments and changes in musical style; and how literature flourished thanks to the invention of the printing press.
This new volume in the Vampire Chronicles returns to the story of Armand, mesmerizing leader of the vampire coven at the 18th-century Theatre des Vampires in Paris. His story begins in Russia, from where he was sold as a slave in Renaissance Venice, and sweeps through several hundred years.
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism.
