American poet Walt Whitman’s Leaves of Grass, is a collection of poems notable for its frank delight in and praise of the senses, during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.
Added by: rszyma | Karma: 779.66 | Non-Fiction, Other | 1 October 2013
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Symbolism (Art of Century)
Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts. In painting, symbolism can be seen as a revival of some mystical tendencies in the Romantic tradition, and was close to the self-consciously morbid and private decadent movement.
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism.
This study shows how marriage symbolism emerged from the world of texts to become a social force affecting ordinary people. It covers the whole medieval period but identifies the decades around 1200 as decisive. New arguments for regarding preaching as a mass medium from the thirteenth century are presented, building on the author's Medieval Marriage Sermons. In marriage preaching symbolism was central. Marriage symbolism also became a social force through law, and lay behind the combination of monogamy and indissolubility which made the medieval Church's marriage system a unique development in world history.
