Theodosia Throckmorton has her hands full at the Museum of Legends and Antiquities in London. Her father may be head curator, but it is Theo—and only Theo—who is able to see all the black magic and ancient curses that still cling to the artifacts in the museum. Sneaking behind her father's back, Theo uses old, nearly forgotten Egyptian magic to remove the curses and protect her father and the rest of the museum employees from the ancient, sinister forces that lurk in the museum's dark hallways.
Being able to detect black magic isn't all tea and crumpets—and for Theodosia Throckmorton, it can be a decidedly tricky business! When Sticky Will drags Theo to a magic show featuring the Great Awi Bubu, she quickly senses there is more to the magician than he lets on, setting in motion a chain of events she never could have bargained for. Meanwhile, back at the Museum of Legends and Antiquities, Henry is home for the spring holidays and makes an accidental discovery of an artifact that alchemists have been hunting for centuries. Soon, every black-cloaked occultist in London is trying to get their hands on it . . .
Theodosia Throckmorton is in a fix. Allowed to attend a reception given by one of the directors of her parents' museum, she stumbles across Mr. Tetley of the British Museum—in most unusual circumstances! Since Theo has last seen him in a showdown in an ancient Egyptian tomb, his reappearance could mean only one thing: the Serpents of Chaos are back. Once again Theodosia will have to take on secret societies, evil curses, and dark magic too sinister to imagine, especially if it falls into the wrong hands. Blocked at every turn, Theodosia will have to rely on her own skill and cunning—along with a little help from the most unexpected places.
Symonds met Aleister Crowley in 1946, the year before Crowley's death. Crowley's will left the copyright of his works to Symonds and made him Crowley's literary executor, though Crowley's legal status as an undischarged bankrupt meant that the copyrights actually ended up in receivership. At first fascinated by Crowley, Symonds became increasingly critical of his ideas and manners, in particular the use of drugs . He edited, with Kenneth Grant, Crowley's autobiography and a number of other works. He authored four biographical works of his own: The Great Beast, (1952), The Magic of Aleister Crowley (1958), The King of the Shadow Realm (1989) and The Beast 666 (1997).
