This book presents new issues in the study of the interface of emotions and language, and their use in social context. Two fundamental questions are tackled: the way different languages encode emotional information and the core role emotions play in languages' structure, use and learning. Seldom treated means of expressing emotions (such as interjections, conditionals, scalarity, allocentric constructions), the social and professional impact of emotions and the latest developments in the interface of speech recognition / emotions are some of the key contributions to this volume.
The emotions a character feels--Hamlet's vengefulness when he realizes his uncle has killed his father, Anna Karenina's despair when she feels she can longer sustain her life, Marcel's joy when he tastes a piece of madeleine cake--are vital aspects of the experience of fiction. As Keith Oatley points out, it's not just the emotions of literary characters such as these in which we are interested. If we didn't ourselves experience emotions, we wouldn't go to the play, or watch the film, or read the book.
Set in New Zealand and in England, these three short stories by Katherine Mansfield explore the mysterious dark corridors of the mind, where we find happiness, despair and a complex network of other human emotions. In The Garden Party, which is set in New Zealand, Mansfield explores class consciousness, sensitivity and the co-existence of life and death. In The Singing Lesson, a young music teacher experiences a cascade of emotions in the space of a few hours. Answer key included.
Everything you need to know about the human body Amazing facts and stunning illustrations help you discover the human anatomy, how our bodies work and uncovers all of the answers to your curious questions. From how you hear, to how your digestions works, through how your bones repair fractures and on to how we express emotions, this updated edition explores the body like never before.
The Language of Emotions: The case of Dalabon (Australia) is the first extensive study of the linguistic encoding of emotions in an Australian language, and further, in an endangered, non-European language. Based on first-hand data collected using innovative methods, the monograph describes and analyzes how Dalabon speakers express emotions (using interjections, prosody, evaluative morphology) and the words they use to describe and discuss emotions. Like many languages, Dalabon makes broad use of body-part words in descriptions of emotions.
