Audio description (AD) is a narrative technique which provides complementary information regarding the where, who, what and how of any audiovisual content. It translates the visuals into words. The principal function of this ad hoc narrative is to make audiovisual content available to all: be it a guided city tour of Barcelona, a 3D film, or a Picasso painting. Audio description is one of the younger siblings of Audiovisual Translation, and it is epigonic to the audiovisual translation modality chosen.
Each of the contributions in this volume expresses in some way the hope that it is possible to achieve an integrity of linguistics, understood as a science of man, in its psychological, sociological, pragmatic and cultural context. The first section focuses on the history of language study, the second section on the integrative description of facets of language, and the last section on the need for the study of language in context.
Psmith takes over editing a paper while the usual editor is away on vacation. He takes on a local slum lord, and divers alarums ensue. (description by Psuke Bariah)
This volume is based on a workshop we organized as part of the Annual Meeting of the German Linguistic Society (DGfS) in 2007. The workshop focused on the role of syntax in the emergence of new genres and brought together insights from research that uses the concept of genre as a reference-point for the description (and, possibly, explanation) of patterns of morphosyntactic variation.
