An important dimension of the "meaning" of the border text exists in the difference between the referential codes of author and reader. Since the special ontology of the border text makes the reader a conspicuous collaborator in the "writing" of the text, the same relationship of difference can obtain between the reader and herself as between reader and author. For the reader willing to engage in "border crossing," the "non-identities among the codes of the writer, the reader(s), and "sociohistorical semiotic" contexts create an ontologically special place or space within which "a remembering occurs" whose form varies with the desires and historical and political knowledge of the border crosser. Framed by a largely theoretical introduction and a meditative conclusion on the semiotics of work by Sandinistas and Chicano poets as well as her own creative writing, Hicks's discussion of Gabriel Garcia Marquez's One Hundred Years of Solitude (Cien aсos de soledad), Julio Cortбzar's Hopscotch (Rayeula) and A Manual for Manuel (Libro de Manuel) and Luisa Valenzuela's He Who Searches (Como en la guerra) and Other Weapons (Cambio de armas) inventively challenges readers to "deterritorialize" their categories of literary and political analysis.