After the Downfall by Harry TurtledoveHarry Turtledove posits a typical Nazi soldier, in the last days of the defense of Berlin in 1945...Hasso Pemsel...who is supposed to defend to the death the ruins of the old Berlin Museum. All of the antiquities have supposedly been taken to safety in bunkers, but he finds a big rock that he hides behind, taking refuge from the Russian sharpshooters. He sees the information sign is still there, and it says that the big rock is the Omphalos stone, from the temple of Apollo at Delphi. He crawls on top of it and disappears.
Deaver fans expect the unexpected from this prodigiously talented thriller writer, and the creator of the Lincoln Rhyme series and other memorable yarns doesn't disappoint with his 19th novel, this time offering a deliciously twisty tale set in Nazi Berlin. The book's hero is a mob "button man," or hit man, Paul Schumann, who's nabbed in the act in New York City but given an alternative to the electric chair: to go to Berlin undercover as a journalist writing about the upcoming Olympics, in order to assassinate Col. Reinhard Ernst, the chief architect of Hitler's militarization...
From the Bavarian Alps to the Rhine, from Berlin to the Black Forest, Germany is packed with beer gardens, castles, art, culture, and a hopping nightlife. Take it all in with this handy guide to your perfect Teutonic adventure: Complete coverage of the big cities and small towns, from Berlin and Munich to the spa town of Baden-Baden
Behind the Berlin Wall: East Germany and the Frontiers of Power
This new history rejects traditional, top-down approaches to Cold War politics, exploring instead how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, "caught out" by Sunday the Thirteenth. Party, police and Stasi reports reveal why one in six East Germans fled the country during the 1950s, undermining communist rule and forcing the eleventh-hour decision by Khrushchev and Ulbricht to build a wall along the Cold War's frontline.
Winner of the Milka Bliznakov Prize Winner of the 2009 DAAD Book Prize of the German Studies Association Around the beginning of the twentieth century, women began to claim Berlin as their own, expressing a vision of the German capital that embraced their feminine modernity, both culturally and architecturally. Women located their lives and made their presence felt in the streets and institutions of this dynamic metropolis.
