Peter Swirski looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such he documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards.

The American Civil War was viscerally documented through panorama paintings, photography, and soldier testimonials, leaving behind representational principles that would later inform the development of war film genre codes. This book explores how each of these representational modes cemented different formulas for providing war stories with pathos.

Seven Minutes from Home: An American Daughter’s Story is a collection of linked stories written chronologically from 1980–2015. They create a multifaceted narrative of how the public and the private, the past and present, the local and global, intersect. With earnest reflection, modesty and humor, Laurel Richardson introduces the reader to her Ohio neighborhoods, friends, family, writers and therapy dogs.

Foreign Accents sets forth a historical poetics of verse by writers of Chinese descent in the U.S. from the early twentieth century to the present. With readings of works by Ezra Pound, Li-young Lee, Marilyn Chin, Ha Jin, and John Yau, this study charts the dimensions of Asian American verse as an evolving and contested counterpoetic formation.

This remarkable book - by turns moving, funny, and revelatory - records the relationship that developed between the women over the next twenty years. An empathic listener and participant in DeVries' life, and a scholar of the feminist and disability rights movements, Frank argues that Diane DeVries is a perfect example of an American woman coming of age in the second half of the twentieth century.