Even those who know Karin Slaughter’s books only by reputation are aware of her pole position in the realm of tough and persuasive crime thrillers. In Genesis we are again in the company of medical examiner Sara Linton, who several years previously had left Grant County for Atlanta to heal the psychological wounds of her troubled past. Holding down a job in Atlanta’s Grady Hospital, she is slowly finding a kind of equilibrium again. But then a seriously wounded young woman is delivered to the hospital, and Sara finds herself once again in a familiar world of brutality and evil.
How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory
Added by: englishcology | Karma: 4552.53 | Black Hole | 4 July 2011
0
How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory
Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media.
Dear User! Your publication has been rejected as it seems to be a duplicate of another publication that already exists on Englishtips. Please make sure you always check BEFORE submitting your publication. If you only have an alternative link for an existing publication, please add it using the special field for alternative links in that publication.
Thank you!
Baby Sitters Club 26 - Claudia and the Sad Goodbye
Claudia has a sad good-bye to make. Claudia has a hard time dealing with her beloved grandmother's death and it isn't until she pours out all her emotions to her sister that she feels able to smile again.
Years Best Science Fiction: Twentieth Annual Collection
Added by: JustGoodNews | Karma: 4306.26 | Fiction literature | 18 June 2011
7
Years Best Science Fiction: Twentieth Annual Collection
Stalwart sf fans will most likely find Dozois' twentieth stout annual anthology as satisfying as any of its predecessors. The authors represented in it range from multiple-award winners Gregory Benford, Nancy Kress, and John Kessel to skilled newcomers Molly Gloss and Chris Beckett. In-betweeners in terms of prize winning and output include Ian MacLeod, Ian McDonald, Bruce Sterling, and Eleanor Arnason, who should write much more. Dozois has again cast his net widely, drawing Geoff Ryman's entry from a chapbook and Walter Jon Williams' from the electronic media.
Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state -- and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture -- rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.