Dead Man's Chest is a classic pirate yarn that features Long John Silver's escape from the Hispaniola at Puerta Plata and his alliance with David Noble and Captain John Paul Jones as together they work to retrieve a king's ransom of Spanish gold and jewels.
Australia is one of the last places where life still exists after nuclear war starts in the Northern Hemisphere. A year on, an invisible cloak of radiation has spread almost completely around the world. Darwin is a ghost town, and radiation levels at Ayres Rock are increasing. An American nuclear-powered submarine has found its way to Australia where its captain has placed the boat under the command of the Australian Navy. Commander Dwight Towers and his Australian liaison officer are sent to the coast of North America to discover whether a stray radio signal originating from near Seattle is a sign of life.
In a dazzling act of ventriloquism, Peter Carey gives Ned Kelly a voice so wild, passionate and original that it is impossible not to believe that the famous bushranger himself is speaking from beyond the grave. True History of the Kelly Gang is the song of Australia, and it sings its protest in a voice at once crude and delicate, menacing and heart-wrenching. Carey gives us Ned Kelly as orphan, as Oedipus, as horse thief, farmer, bushranger, reformer, bank-robber, police-killer and, finally, as his country's beloved Robin Hood.
The Heart of the Matter is not a mystery, a high-octane adventure, nor does it center on an extraordinary event. Rather it is a story of one man whose faith and character is put to the ultimate test. That man is Henry Scobie. Henry Scobie is a British assistant police comissioner stationed in a West African coastal town during World War II. Scobie is a devout catholic who is unhappily married but feels obligated to fulfill his wife Louise's needs and make her happy. An honest man, Scobie has remained faithful to his wife in their fifteen years of marriage and has upheld his duties as an officer of the law. But ...
Literary Theories in Praxis analyzes the ways in which critical theories are transformed into literary criticism and methodology. To demonstrate the application of this analysis, critical writings of Roland Barthes, Harold Bloom, Cleanth Brooks, Jacques Derrida, Northrop Frye, Norman Holland, Barbara Johnson, Jacques Lacan, Adrienne Rich, and Robert Scholes are examined in terms of the primary critical stance each author employs--New Critical, phenomenological, archetypal, structuralist/semiotic, sociological, psychoanalytic, reader-response, deconstructionist, or humanist.
