This second volume of A. David Moody's full-scale portrait, covering Ezra Pound's middle years, weaves together into a single highly readable and challenging narrative, in a way that has not been done before, the illuminating story of his life, his achievement as a poet and a composer, and his one-man crusade for economic justice.
This innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913. Broadens the analysis of canonical texts and artistic events by showing their cultural and global parallels Examines a number of simultaneous artistic, literary, and political endeavours including those of Yeats, Pound, Joyce, Du Bois and Stravinsky Explores Pound's Personae next to Apollinaire's Alcools and Rilke's Spanish Trilogy, Edith Wharton's The Custom of the Country next to Proust's Swann's Way
Added by: hmimi | Karma: 167.25 | Black Hole | 19 November 2013
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The Cambridge Introduction to Ezra Pound
Ezra Pound loved to jump, fromidea to idea, fromculture to culture, fromlyric to epic.Whether on the tennis court or in the salon, he remained energized by ideas and action. He was also outspoken and insistent: “I have never known anyone worth a damn who wasn’t irascible,” Pound told Margaret Anderson in 1917 and he fulfilled this dicta completely (SL 111). His agenda as a poet, translator, editor, anthologist, letter-writer, essayist and provocateur was clear, his plan precise: “Man
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Violet Hunter asks Holmes whether to accept a job as governess, with very strange conditions. She is enticed by the phenomenal salary which, as originally offered, is £100 a year, later increased to £120 when Miss Hunter balks at having to cut her long hair off, which is one of many peculiar provisos to which she must agree. The employer, Jephro Rucastle, seems pleasant enough, yet Miss Hunter obviously has her suspicions.
Violet Hunter asks Holmes whether to accept a job as governess, with very strange conditions. She is enticed by the phenomenal salary which, as originally offered, is £100 a year, later increased to £120 when Miss Hunter balks at having to cut her long hair off, which is one of many peculiar provisos to which she must agree. The employer, Jephro Rucastle, seems pleasant enough, yet Miss Hunter obviously has her suspicions.
