How biology, psychology, and history shape us as individuals We are doomed to repeat history if we fail to learn from it, but how are we affected by the forces that are invisible to us? In The Invisible History of the Human Race Christine Kenneally draws on cutting-edge research to reveal how both historical artifacts and DNA tell us where we come from and where we may be going.
We live in an age of globalization on every conceivable level, but globalization has a deeper history than politicians and pundits often allow, and nothing is more significant to its history than exploration. For as long as human societies have existed, people have felt the urge to venture outside of them, either in search of other societies or in search of new land or adventure. Exploration: A Very Short Introduction surveys this quintessential human impulse, tracing it from pre-history to the present, from east to west around the globe, and from the depths of volcanoes to the expanses of space.
The first multi-volume history of the American theater to have been published, The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theater in all its dimensions. It recognizes changing styles of presentation and performance, and addresses the economic context that conditions the drama presented. Volume One brings together the work of ten major authorities on American theater and drama. Like each of the three volumes, Volume One includes an extensive overview and timeline followed by chapters on specific aspects of American theater up to c. 1870.
As the UK’s best selling military history title, Britain at War is dedicated in exploring every aspect of Britain’s involvement in conflicts from the turn of the 20th century through to modern day. From World War I to the Falklands, World War II to Iraq, readers are able to relive decisive moments in Britain’s history through fascinating insight combined with rare and previously unseen photography.
Taking Frances FitzGerald's textbook study America Revised as a point of departure, Joseph Moreau in Schoolbook Nation challenges FitzGerald's premise that the 1960s were the beginning of the end of the glory days of American history education.
