A Dance to the Music of Time 07 - The Valley of Bones
The Valley of Bones is the seventh novel in the sequence of twelve comprising Anthony Powell's masterpiece, A Dance to the Music of Time. Published in 1964, it is the first of the war trilogy, poignantly capturing the atmosphere of the time whilst offering a subversively comic view of Army life. The conflict between regular soldiers and the bank managers-cum-officers is caught in some of the funniest scenes in the sequence. Personal traits usually concealed in peacetime emerge, as intransigent characters like Odo Stevens find their true milieu in war.
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A Dance to the Music of Time 01 - A Question of Upbringing
A Question of Upbringing is the opening novel in Anthony Powell's masterpiece, A Dance to the Music of Time, a twelve-volume cycle spanning much of the 20th century. Published in 1951, it begins the story of a trio of boys, Nicholas Jenkins (the narrator), Charles Stringham, and Peter Templer, who are friends at a nameless school (based upon Powell's public school Eton College) and then move on to different paths. An ungainly fourth figure, Kenneth Widmerpool, stands slightly apart from them, poised for greatness - of a sort.
A Dance to the Music of Time 02 - A Buyer's Market
A Dance to the Music of Time – his brilliant 12-novel sequence, which chronicles the lives of over three hundred characters, is a unique evocation of life in twentieth-century England. The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”
A Dance to the Music of Time 03 - The Acceptance World
The Acceptance World is the third book of Anthony Powell's twelve novel sequence, A Dance to the Music of Time. Nick Jenkins continues the narration of his life and encounters with many friends and acquaintances in London between 1931 and 33. A theme running through it is the uneven pace at which contemporaries mature, some, like Templer, reaching an early plateau. Jenkins' own development serves as a pacemaker against which others growth is measured. This is reflected in a subtle but discernible change in the language employed in dialogue compared to that of the two earlier volumes.
