Brida, a young Irish girl, has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom. She meets a wise man who dwells in a forest, who teaches her to trust in the goodness of the world, and a woman who teaches her how to dance to the music of the world. As Brida seeks her destiny, she struggles to find a balance between her relationships and her desire to become a witch.

Rodriguez looks at the Matachines dance as it is performed in two areas along the U.S./Mexico border. She discusses at great length the different structures, presentations, and meanings of this ritual procession dance to the people of these two areas, as well as examinig the Matachines' cultural background. Other books on Matachines contain similar information, but most stop short of the depth and precision of Rodriguez's work. Matachines is an old and extremely complex art form, and Rodriquez successfully tackles the task of discussing days' worth of variations in costume, execution, characterization, and finally the attitudes and beliefs of individuals in both communities towards their cultural dance. The many photographs work well to demonstrate and enhance Rodriguez's findings.

Calling Back the Spirit describes how, in the face of Indonesian and foreign cultural pressures, the Makassarese people of South Sulawesi are defending their local spirit through music and dance. The book examines the ways performers in this corner of Indonesia seek to empower local music and dance in a changing environment.

Miles Vorkosigan faces more than his share of troubles as the protagonist in Mirror Dance. Not only is he deformed and undersized but he has a cloned brother who gets into a jam in the free enterprise plague spot known as Jackson's Whole. Miles tries to help his brother but ends up injured, placed on cryogenic suspension and then lost in intergalactic limbo. And that's just in the first 100 pages. The following 300 pages add a wealth more to this fantastic tale that's both humorous and finely written.

Mirror Dance won the 1995 Hugo Award for Science Fiction.

Haruki Murakami - Dance Dance Dance
High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance. It is an assault on the sense, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car.