The marriage of Virginia and Leonard Woolf is best understood as a dialogue of two outsiders about ideas of social and political belonging and exclusion. These ideas infused the written work of both partners and carried over into literary modernism itself, in part through the influence of the Woolfs' groundbreaking publishing company, the Hogarth Press. In this book, the first to focus on Virginia Woolf's writings in conjunction with those of her husband, Natania Rosenfeld illuminates Leonard's sense of ambivalent social identity and its affinities to Virginia's complex ideas of subjectivity.

This volume covers a wide range of editorial confrontations with Virginia Woolf's writings, touching on almost every genre in which she wrote: fiction, diary, letter, and biography. It describes a variety of editorial practices and deals with current theories informing the critical editing of the prose of this singular 20th-century writer. Essays by distinguished scholar-critics of Virginia Woolf confront a number of contemporary issues in critical editing: the use of pre-print materials, authorial revisions, and the collation of historical texts.

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma studies the intersections of modernism, sexuality, and subjectivity in the work of two leading women modernists. Over the course of her writing career, each came to confront those aspects of her culture and her personal history that resulted in a degraded sense of female sexuality.  In particular, both explored the ways in which traumatic childhood sexual experiences informed their relationship to female corporeality and fiction writing.

From her girlhood in her father’s library to the end of her life, Virginia Woolf read widely and with passion. Virginia Woolf: Feminism and the Reader shows how Virginia Woolf’s reading affected her feminism and how her feminism affected her opinions of her reading. This new work looks at the impact of that intense reading on Woolf’s writing and on her feminism. Each chapter looks at an aspect of her thinking--her attitude towards the English nation, the imagination, the public sphere, and fame--through the lens of a literary period, from Ancient Greece through the Romantics.

This unique collection of essays brings together for the first time consideration of Virginia Woolf's writing within the political context of fascism. Virginia Woolf and Fascism probes Woolf's fiction and non-fiction from Mrs. Dalloway in 1927 to Between the Acts, in 1941, for her responses not only to the growing menaces of dictators abroad, but also to mounting evidence of fascist ideology at home in England. The essays present a portrait of Woolf as a woman writer who was politically engaged, and actively protesting against a worldview which aggressively targeted women for oppression.