For many people, Clive James will always be a TV presenter first and foremost, and a writer second -- this despite the fact that his adventures with the written word took place before, during and after his time on the small screen. Nevertheless, for those who remember clips of Japanese ...
Mike Smith is a "boxman." He can open any safe, padlock, or locked door without a combination or a key--a talent that lands him in prison at the age of eighteen. He spends his time writing down the story of his life because that's the only way he can share it. He hasn't spoken in ten years. Not a single word since the tragic day he became known as the "Miracle Boy." Mike is one of those unreliable narrators you can't help rooting for--a traumatized soul fighting his way back from the brink--and the mystery of his silence will have you blazing through pages.
What happens when a psychic tells Lucy that she'll be getting married within the year? Her roommates panic! What is going to happen to their blissful existence of eating take-out, drinking too much wine, bringing men home, and never vacuuming? Lucy reassures her friends that she's far too busy arguing with her mother and taking care of her irresponsible father to get married. And then there's the small matter of not even having a boyfriend. But then Lucy meets gorgeous, unreliable Gus. Could he be the future Mr. Lucy Sullivan? Or could it be handsome Chuck? Or Daniel, the world's biggest flirt? Or even cute Jed, the new guy at work?
Sense and Sensibility - Intermediate level (with audio)
Added by: ametistlove | Karma: 47.71 | Black Hole | 28 February 2011
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Sense and Sensibility - Intermediate level (with audio)
Level: B1 British English
retold by Margaret Tarner
After the death of her husband, Mrs Dashwood and her three daughters, Elinor, Marianne and Margaret, find they must leave Norland Park and move to a small cottage. There, Marianne falls in love with the dashing but unreliable Willoughby, while Elinor pines for Edward Ferrars, the young man she has been forced to leave behind...
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