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When people who interact do not share the same abilities, orientations, or beliefs, the results are often disastrous, leaving everyone involved feeling misunderstood, underappreciated, and resentful. Why does this happen? How can we find and focus on the strengths in our differences, rather than the weaknesses? How can we accept that our differences bring with them different ways of looking at a problem, and that these different ways of looking at things lead to unique, and sometimes conflicting, solutions to problems?
In this comprehensive Companion over fifty of the very best of modern scholars - including Patrick Collinson, Germaine Greer, Richard Harries, Arthur Kinney, Andrew Hadfield , Jean Howard, and Judith Anderson - come together to offer an original and far-reaching survey of English Renaissance literature and culture. The first part of the volume considers pertinent issues such as humanism, English reformations, the development of the language, court culture, and playhouses, in terms of the way in which these aspects of Renaissance culture influenced literary production. There are provocative essays on canonical genres such as love poetry and Jacobean tragedy , but also accounts of popular and occasional drama and verse, and on the visual arts.
This Dictionary is an essential tool for students of applied linguistics, language teaching, TEFL, and introductory courses in general linguistics and explains those difficult theoretical terms which students may encounter accross these fields.
In Treatments, Lisa Diedrich considers illness narratives, demonstrating that these texts not only recount and interpret symptoms but also describe illness as an event that reflects wider cultural contexts, including race, gender, class, and sexuality. Diedrich begins this theoretically rigorous analysis by offering examples of midcentury memoirs of tuberculosis. She then looks at Susan Sontag’s Illness As Metaphor, Audre Lorde’s The Cancer Journals, and Eve Kosofsky Sedgwick’s “White Glasses,” showing how these breast cancer survivors draw on feminist health practices of the 1970s and also anticipate the figure that would appear in the wake of the AIDS crisis in the 1980s—the “politicized patient.”
