The popular media of film and television surround us daily with images of evil - images that have often gone critically unexamined. In the belief that people in ever-increasing numbers are turning to the media for their understanding of evil, this lively and provocative collection of essays addresses the changing representation of evil in a broad spectrum of films and television programmes.
Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from dragnet to The Simpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.
The radical expansion of television broadcasting in the post-war years
and beyond both reflected and promoted a cultural revolution sweeping
across British society. Reaching out to a mass audience for the first
time, the new television industry made visible the transition from drab
austerity and seeming cultural consensus to the brash, heady glitz and
individualism of the new consumer age.
What is "deconstruction"? What authors are considered "postmodern novelists"? The Critical Dictionary of Postmodern Thought combines a series of 14 in-depth background chapters with a body of A-Z entries to create an authoritative, yet truly readable guide to the complex world of postmodernism. Following full-length articles on Postmodernism and philosophy, politics, feminism, lifesyles, television, and other postmodern essentials, readers will find a wide ramge of alphabetically-organized entries on the people, terms and theories connected with postmodernism.
Thayer delivers a haunting story that concerns two tortured Vietnam vets who love the same woman, fierce weather events that coincide with a series of murders, the world of television news, and the debate on capital punishment. Dixon Bell is a television meteorologist with an eerie gift for reading the weather. Rick Beanblossom is a news producer who hides his disfigured face behind a mask. Andrea Labore is the beautiful cop turned reporter whom they both love. Meanwhile, the Calendar Killer is strangling a woman each season during a significant weather event. When Bell is arrested and accused of the murders, Beanblossom and Labore join forces to prove his innocence. The novel's characters are deeply developed, and the riveting plot is cloaked in descriptive episodes of weather. Additionally, readers will receive a fascinating view of the intense machinations of television news productions. Recommended for fiction collections.
